About Author: Glenn Dunks

Website
http://stalepopcornau.blogspot.com/
Description
Glenn Dunks loves films, that we know for sure. As well as being a film critic for Trespass Magazine where his wildly unpredictable tastes you’ve grown accustomed to, Glenn is the creator and writer of film blog Stale Popcorn (http://stalepopcornau.blogspot.com) , film editor at Onya Magazine, has written for The Big Issue and Encore and has been heard on JOY 94.3. Glenn is based in Melbourne, is an active Twitterer (@stalepopcornau) and is and is particular fond of Australian, horror and queer cinema.

Posts by Glenn Dunks

  • <i>by Glenn Dunks</i><br/>
"Bigelow’s skill behind the camera elevates the material into something resembling a tightened fist of tension just waiting for release. It’s a superb film and one worthy of the many plaudits it has received."

    Review: Zero Dark Thirty

    by Glenn Dunks
    "Bigelow’s skill behind the camera elevates the material into something resembling a tightened fist of tension just waiting for release. It’s a superb film and one worthy of the many plaudits it has received."

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  • <i>by Glenn Dunks</i><br/>
"Wickedly funny, refreshingly sly, wonderfully textured and nuanced, <i>ParaNorman</i> is a marvellous pertinent tale for all ages."

    Review: ParaNorman

    by Glenn Dunks
    "Wickedly funny, refreshingly sly, wonderfully textured and nuanced, ParaNorman is a marvellous pertinent tale for all ages."

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  • <br/>
Glenn Dunks lists his top 10 films of 2012.

    Best of 2012: Glenn Dunk’s Picks


    Glenn Dunks lists his top 10 films of 2012.

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  • <br/>
Glenn Dunks reviews Tom Hooper's screen adaptation of this much-loved musical.

    Review: Les Misérables


    Glenn Dunks reviews Tom Hooper's screen adaptation of this much-loved musical.

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  • <br/>
"<i>Fun Size</i> is an appalling, eye-opening experience that lacks all the zest and wit of its teen flick forefathers."

    Review: Funsize


    "Fun Size is an appalling, eye-opening experience that lacks all the zest and wit of its teen flick forefathers."

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  • <i>by Glenn Dunks</i><br/>
"Since Daniel Craig was given the reigns, the franchise has seen a markedly more mature style take hold."

    Review: Skyfall

    by Glenn Dunks
    "Since Daniel Craig was given the reigns, the franchise has seen a markedly more mature style take hold."

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  • The annual Jewish International Film Festival is celebrating its 22nd of bringing culturally specific, but no less interesting and broad-minded, cinema to Australian audiences.

    Preview: Jewish Film Festival

    The annual Jewish International Film Festival is celebrating its 22nd of bringing culturally specific, but no less interesting and broad-minded, cinema to Australian audiences.

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  • <i>by Glenn Dunks</i><br/>
"It’s the relationship between Gyllenhaal and Peña that sells the film"

    Review: End of Watch

    by Glenn Dunks
    "It’s the relationship between Gyllenhaal and Peña that sells the film"

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  • <br/>
Glenn Dunks calls Ben Affleck's third directing outing "a spellbinding, old-fashioned thriller".

    Review: Argo


    Glenn Dunks calls Ben Affleck's third directing outing "a spellbinding, old-fashioned thriller".

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  • <i>by Glenn Dunks</i><br/>
"Following <i>Corpse Bride</i> in 2005, which Burton directed, and <i>The Nightmare Before Christmas</i>, which Burton produced, <i>Frankenweenie</i> is delightfully warped take on a typical children’s movie."

    Review: Frankenweenie

    by Glenn Dunks
    "Following Corpse Bride in 2005, which Burton directed, and The Nightmare Before Christmas, which Burton produced, Frankenweenie is delightfully warped take on a typical children’s movie."

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  • <br/>
Glenn Dunks checks out the scares of the fourth instalment of the <i>Paranormal Activity</i> series.

    Review: Paranormal Activity 4


    Glenn Dunks checks out the scares of the fourth instalment of the Paranormal Activity series.

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  • <br/>
Glenn Dunks misses the old Oliver Stone in this story that sees a trio of sun-kissed pot dealers face off against a ruthless Mexican cartel.

    Review: Savages


    Glenn Dunks misses the old Oliver Stone in this story that sees a trio of sun-kissed pot dealers face off against a ruthless Mexican cartel.

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