Theatre Review: New Creations
Samuel Webster reviews Sydney Dance Company’s New Creations, directed by Rafael Bonachela.
Samuel Webster is a writer who spends his days teaching undergraduates about cultural studies, and his nights pondering the impact of a cascading tune whistled on the darkening urban landscape. He is currently working on his first novel. Follow him on twitter: www.twitter.com/wiredjazz
Samuel Webster reviews Sydney Dance Company’s New Creations, directed by Rafael Bonachela.
Samuel Webster reviews Bliss, which is directed by Neil Armfield and part of Opera Australia’s 2010 season.
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Samuel Webster checks out Opera Australia’s performance of La Traviata.
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Tognetti has stepped out on a limb, not only by programming a concert which draws all eyes to him, but by choosing a piece that requires such proficiency and musicality as a solo musician.
It seems Opera Australia have begun a series which praises the follies of female characters so upswept into love that they incur upon themselves great tragedy.
After viewing Opera Australia’s latest performance of Tosca, Samuel Webster ponders whether criticism is such a bad thing?
Watching the Australian Ballet’s performance of Sleeping Beauty was like having my childhood coloured in; the notions of good and evil, love in both its true and unrequited forms.
Concord is a show easily inhibited by its form. The Australian Ballet seeks to put on a display which covers a variety of genres, but it is all too easy to choose pieces which ,in their diversity, may conflict.
The stage of Mercury by the Sydney Dance Company is immaculate, a large white room with a glowing orb at its rear. It is not really an uncommon site, such a minimalist stage, given the practicality of open area for dance, and the emphasis which should be placed on the physical being. The difficulty of this stipulation is in thematic interpretation.