Review: Immortals

For centuries, tales of gods and men have prospered. Originating from ancient cultures in oral and illustrative iterations, legends concerning deities and humankind have regaled audiences, exemplified by the enduring impact of Greek, Roman and Egyptian stories. The advent of paper and then celluloid helped preserve and perpetuate their legacy, with writers and filmmakers drawing inspiration from historical sources. Accordingly, adaptations and interpretations of mythology have proliferated, evidenced by the likes of Hercules, Jason and the Argonauts and Clash of the Titans, as well as recent films 300, Percy Jackson & the Olympians: The Lightning Thief and now Immortals.

In his third feature, director Tarsem Singh turns his elegant eye to the subject, exploring a plethora of Greek myths. Utilising the fabled Titanomachy as context, the film ponders the efforts of peasant Theseus (Henry Cavill, TV’s The Tudors) to stop King of Crete Hyperion (Mickey Rourke, Iron Man 2) from destroying humanity. Determined to defeat the gods by unleashing the overthrown titans, Hyperion scours the Hellenic realm for the only weapon up to the task, with virgin oracle Phaedra (Freida Pinto, Rise of the Planet of the Apes) instrumental in his plans. When his rampaging ways encroach upon Theseus’ village, the young man is forced to fight back, driven from above by the secret support of Zeus (Luke Evans, The Three Musketeers) and his fellow immortals.

As fans of his previous films The Cell and The Fall are no doubt aware, Singh is known for his aesthetic abilities. His features boast style and spectacle regardless of story, with his talents now demonstrated across three distinct yet thematically similar narratives. With its striking use of computer generated effects and undercurrent of unreality, Immortals effortlessly fits in with the helmer’s oeuvre, continuing his penchant for vivid visuals, surreal stories, and fantastical themes. However, unlike his earlier efforts, the contemplation of faith, loyalty and immortality fails to translate beyond the dreamlike appearance, in an offering that lacks substance and subtlety.

Although undeniably handsome, Immortals values flair over finesse. Indeed, the film abounds with underwhelming elements, from average performances to a mediocre script. In the former category, leads Cavill and Rourke are upstaged by bit player John Hurt (Tinker Tailor Soldier Spy), whilst supporting turns from Isabel Lucas (A Heartbeat Away) and Kellan Lutz (The Twilight Saga) do neither any favours. As for the latter, brothers Charley and Vlas Parlapanides (Everything for a Reason) utilise obviousness instead of originality, with everything from dialogue to exposition laboured. Ultimately, Immortals is an action-oriented exercise in unfulfilled potential, presented in an attractive but empty package. A fruitless appropriation of Greek mythology, the feature is unable – sumptuous imagery aside – to escape its ordinariness.

Immortals was released in Australia on November 24th.

Director: Tarsem Singh

Cast: Henry Cavill, Mickey Rourke, Freida Pinto, John Hurt, Luke Evans, Isabel Lucas

About Sarah Ward

Sarah Ward has been enthralled by film for as long as she can remember, and possibly longer than that. A compulsive consumer of all things movie-related, the Brisbane-based freelance film critic, writer and festival devotee spends her days as a film festival marketing manager, and her evenings critiquing the latest cinema releases, with her written contributions popping up at Arts Hub, At The Cinema, KOFFIA, the Spanish Film Festival and Trespass, of course. She also dabbles on her own site (http://www.playslashpause.com/) and tweets at @swardplay.